BLASPHEMY: A STARK REMINDER TO THE SOCIETY

Namrata explores Osman Haneef’s debut novel Blasphemy (Published by Readomania, April 2020) which raises some important questions on the cruel laws and outdated practices.

“People are entitled to change their minds.”
Osman Haneef (Blasphemy)

These words from Osman Haneef’s debut novel Blasphemy stay in your mind long after you are done reading it. It denotes my exact thoughts after reading it. I plunged into it with curiosity, completely unaware about what was about to hit me and was in for a surprise. It is one of those rare books which remind you, the problems you are bogged down with, are not yours alone. The degree of the problem might vary, but there are many out there battling with it and wondering if there is any end to it. Haneef’s novel tries to show us that end, though carefully disguised.

Through Blasphemy, Haneef explores the controversial law of Pakistan. Highly insightful and majorly one that raises a lot of important questions, this story of a young Christian boy wrongly charged of blasphemy is an engaging read.

It is interesting to note, the number of hats Haneef adorns. He has worked as TV actor, a strategy consultant, and a diplomatic adviser, and was selected as a Young Global Leader by the World Economic Forum in 2017. Bringing together his experiences of observing the world, its culture and practices closely, he manages to weave a fascinating story where fact meets fiction.

Read full review on Kitaab.

Movie Review: If by Tathagata Ghosh – A Tender Portrait of Love, Loss, and Possibility

If , a 26-minute short film by acclaimed Bengali filmmaker Tathagata Ghosh, is a sensitive, evocative piece of storytelling that lingers long after the credits roll. Set against the everyday rhythm of life in Kolkata, the film delicately unpacks the story of a lesbian couple torn apart by the weight of societal expectations and dares to imagine a different future, one where a mother's love might just change everything. What struck me first was the film’s raw, grounded realism. The characters feel like people we know, middle-class families navigating a complex world with quiet resilience. The world of If is filled with silences, glances, and stills, rather than heavy dialogue. Ghosh masterfully uses these moments to speak volumes, allowing viewers to sit with discomfort, interpret the unspoken, and feel deeply.

Book Review: The Story of Eve: Selected Poems by Zehra Nigah

Few voices in Urdu poetry have carried the weight of history, resistance, and deep personal introspection quite like Zehra Nigah. One of the first women to break into the traditionally male-dominated world of Urdu poetry, Nigah’s work stands as a testament to the power of words to illuminate, question, and challenge. The Story of Eve: Selected Poems, translated by Rakshanda Jalil, brings together some of her most powerful nazms and ghazals, showcasing both her literary elegance and her unflinching gaze at the human condition, particularly through the lens of gender, social injustice, and political turmoil.

The Urban Gaze : Reimagining the Village in Contemporary Indian Cinema

Indian cinema has long been fascinated with the village. From the earthy, socialist realism of Do Bigha Zamin (1953) to the melodramatic lament of Mother India (1957), the village once stood as both heartland and hinterland — a space of moral clarity, rustic struggle, and often unyielding fate. But as the urban middle class began to dominate cinematic production and consumption, the depiction of the village increasingly came to reflect an urban gaze, that is, a perspective shaped by distance, nostalgia, condescension, or even outright fantasy. In recent years, this urban gaze has taken on new shades, evident in the way mainstream and indie filmmakers alike have re-engaged with rural India. While some have tried to explore the village as a site of resistance, authenticity, or even horror, others continue to reproduce sanitized or exaggerated versions of village life that serve urban sensibilities more than rural realities.

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