FALL BABY: DILEMMA OF AN ARTIST AND THEIR STRUGGLES

Evocative and alluring , Namrata reviews Laksmi Pamuntjak’s Fall Baby (Published by Penguin SEA, 2019)

‘Somewhere in mid-flight, it occurs to me that I’m still at home and without a home; its just that now there are two homes instead of one and that must count for something.’

With lines akin to poetry, Pamuntjak’s latest novel Fall Baby is a compelling read. Interestingly, one of the main protagonists of this novel, Siri, is the illegitimate daughter of Amba and Bhisma, the protagonists of Laksmi Pamuntjak’s award winning first novel, Amba/ The Question of Red.

Laksmi Pamuntjak is a bilingual Indonesian novelist, poet, journalist, essayist and food critic. Her debut novel Amba/The Question of Red won many awards and has been translated into several languages followed by her second novel, The Birdwoman’s Palate which was adapted into a movie. She writes across genres dabbling in a poetry collection, a food guide, collection of short stories on painting and a treatise on violence and the Iliad. Pamuntjak also writes opinion and features articles for various Indonesian publications.

Set in Berlin and Jakarta, Fall Baby tells the story of two women, Srikandi (Siri) and Dara, Siri’s best friend-turned foe. Siri is seeking to create a new life in Berlin, as she struggles to accept her past and move on. This unexpected change has brought in a lot of newer meanings for her along and has redefined life. Siri suddenly finds her understanding of family, motherhood, friendship and relationships challenged here. While on the other hand, she also struggles to accept the harsh realities surrounding her profession as a visual artist which involves art, religion, politics and history.

Read the full review on Kitaab.

Movie Review: If by Tathagata Ghosh – A Tender Portrait of Love, Loss, and Possibility

If , a 26-minute short film by acclaimed Bengali filmmaker Tathagata Ghosh, is a sensitive, evocative piece of storytelling that lingers long after the credits roll. Set against the everyday rhythm of life in Kolkata, the film delicately unpacks the story of a lesbian couple torn apart by the weight of societal expectations and dares to imagine a different future, one where a mother's love might just change everything. What struck me first was the film’s raw, grounded realism. The characters feel like people we know, middle-class families navigating a complex world with quiet resilience. The world of If is filled with silences, glances, and stills, rather than heavy dialogue. Ghosh masterfully uses these moments to speak volumes, allowing viewers to sit with discomfort, interpret the unspoken, and feel deeply.

Book Review: The Story of Eve: Selected Poems by Zehra Nigah

Few voices in Urdu poetry have carried the weight of history, resistance, and deep personal introspection quite like Zehra Nigah. One of the first women to break into the traditionally male-dominated world of Urdu poetry, Nigah’s work stands as a testament to the power of words to illuminate, question, and challenge. The Story of Eve: Selected Poems, translated by Rakshanda Jalil, brings together some of her most powerful nazms and ghazals, showcasing both her literary elegance and her unflinching gaze at the human condition, particularly through the lens of gender, social injustice, and political turmoil.

The Urban Gaze : Reimagining the Village in Contemporary Indian Cinema

Indian cinema has long been fascinated with the village. From the earthy, socialist realism of Do Bigha Zamin (1953) to the melodramatic lament of Mother India (1957), the village once stood as both heartland and hinterland — a space of moral clarity, rustic struggle, and often unyielding fate. But as the urban middle class began to dominate cinematic production and consumption, the depiction of the village increasingly came to reflect an urban gaze, that is, a perspective shaped by distance, nostalgia, condescension, or even outright fantasy. In recent years, this urban gaze has taken on new shades, evident in the way mainstream and indie filmmakers alike have re-engaged with rural India. While some have tried to explore the village as a site of resistance, authenticity, or even horror, others continue to reproduce sanitized or exaggerated versions of village life that serve urban sensibilities more than rural realities.

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