Skip to main content

Book Review: Blowfish by Siddharth Tripathi

Introduction

Source: Goodreads.com
ISBN: 978-9386643315

Genre: Fiction/Contemporary

Publishers: Bloomsbury India

Price: Rs. 399/-  ( I got the book for review from the publisher)
Behind the Book

Blowfish is a fast, funny and irreverent take on the over-hyped pursuit of passion in a country where flashy cars and posh bungalows remain the only lasting symbols of success and happiness.

Mukund and Chaddha spend their days comfortably ensconced in their cushy jobs, wallowing in regrets that make for good conversation. Mukund, in a fit of bravado. resigns to pursue his “calling”; the only hitch is that he doesn't know what it is yet! Chaddha is fired and seeks solace in shooting pigeons at point-blank range.

Mukund's life spirals out of control when Colonel Harpal Singh, the housing society secretary, finds in him a reflection of his estranged son. Harpal places Mukund under “house arrest”, puts him on trial in a kangaroo court and coerces him to fight a ludicrous duel.

Constantly under threat, and running out of time and money, Mukund is about to go back to being a man with bad dandruff, a small car and even smaller dreams, when he meets Suman, a girl who, like him, is trying to figure out what life is all about.


About the Author

Siddharth Tripathi was born in Allahabad and schooled in Banaras. He is a B.E from NIT Trichy and an MBA from MDI, Gurgaon. The Virgins, published in 2013, is his first novel. Blowfish, his second novel, has been published by Bloomsbury in September 2017.


If I had to describe this book in one word it would be "witty". Written is a funny tone this book tells us the story of Mukund and Chaddha dwelling in what is otherwise a normal world we all are a part of. Starting with the cover, the book has managed to grab attention with its bright and colourful tone and a unique title.Blowfish is a fish which has the capability to inflate itself. Used in a metaphoric manner, the title aptly suits the storyline to the T. If all this wasn't enough, the blurb seals the deal. It not only conveys how wacky the whole plot but also gives you a glimpse of what to expect in the book.

With characters which are seemingly plausible, the story is about the confusion we all face at some point or the other about life. Edgy, comical, weird at times and real is how the characters of the book can be described.We are not sure where life is heading to and we don't know which direction to take it to make it right. The character Mukund is one such character. Written in first person narrative, his agony and confusion is there for us to see. Mukund is unhappy and quits his job to write a book, while Chaddha is sacked from his job. What follows next is what I call the roller coaster ride full of fun.

A large part of it is connectable because it shows us the shallow society we survive in. Working in MNCs, swanky cars, lavish lifestyle, holidays abroad and living in palatial houses have now become the parameters by which we judge an individual. How in today's times people believe what they see and ignore the hollowness it brings along. The book is perfectly paced written with dry and sometimes dark humour lacing the narrative making it an entertaining read. In a country like ours where our careers are decided at times much before our names, this book throws light on how our mental conditioning makes us take decisions which we don't agree upon most of the times.

Having said all of the above, let me clarify that this book doesn't offer any solution to the confusion you feel in life. It is showing you the mirror and in the process ensuring few laughs.

Recommended to all who enjoy a good comedy and also for people who don't know where their life is headed. If nothing this might just tell you, "You are not alone, my friend!"

Foodie Verdict
 
This book is like Sohan Halwa - melts in the mouth and takes you on a trip down the memory lane!
Source: Rehmat-e-Shereen

Popular posts from this blog

Movie Review: If by Tathagata Ghosh – A Tender Portrait of Love, Loss, and Possibility

If , a 26-minute short film by acclaimed Bengali filmmaker Tathagata Ghosh, is a sensitive, evocative piece of storytelling that lingers long after the credits roll. Set against the everyday rhythm of life in Kolkata, the film delicately unpacks the story of a lesbian couple torn apart by the weight of societal expectations and dares to imagine a different future, one where a mother's love might just change everything.  What struck me first was the film’s raw, grounded realism. The characters feel like people we know, middle-class families navigating a complex world with quiet resilience. The world of If is filled with silences, glances, and stills, rather than heavy dialogue. Ghosh masterfully uses these moments to speak volumes, allowing viewers to sit with discomfort, interpret the unspoken, and feel deeply.

Book Review: The Story of Eve: Selected Poems by Zehra Nigah

Few voices in Urdu poetry have carried the weight of history, resistance, and deep personal introspection quite like Zehra Nigah. One of the first women to break into the traditionally male-dominated world of Urdu poetry, Nigah’s work stands as a testament to the power of words to illuminate, question, and challenge. The Story of Eve: Selected Poems, translated by Rakshanda Jalil, brings together some of her most powerful nazms and ghazals, showcasing both her literary elegance and her unflinching gaze at the human condition, particularly through the lens of gender, social injustice, and political turmoil.

The Urban Gaze : Reimagining the Village in Contemporary Indian Cinema

Indian cinema has long been fascinated with the village. From the earthy, socialist realism of Do Bigha Zamin (1953) to the melodramatic lament of Mother India (1957), the village once stood as both heartland and hinterland — a space of moral clarity, rustic struggle, and often unyielding fate. But as the urban middle class began to dominate cinematic production and consumption, the depiction of the village increasingly came to reflect an urban gaze, that is, a perspective shaped by distance, nostalgia, condescension, or even outright fantasy.  In recent years, this urban gaze has taken on new shades, evident in the way mainstream and indie filmmakers alike have re-engaged with rural India. While some have tried to explore the village as a site of resistance, authenticity, or even horror, others continue to reproduce sanitized or exaggerated versions of village life that serve urban sensibilities more than rural realities.