Cover Reveal: Awaken by Ashok Banker

Ashok Banker is considered one of the finest authors in India who has been credited as the pioneer of Indian Crime fiction in English. His latest book Awaken is a trilogy in fantasy genre with a girl as superhero. Set in India the story looks very promising. Releasing on 1st September, here's a sneak peek into what's in store!

About the Author

Ashok Banker is the internationally acclaimed author of over sixty published books which have sold over three million copies in twenty-one languages and sixty-one countries. He has been credited as the pioneer of Indian crime fiction in English and with launching the genre of mythological retellings, India’s biggest-selling publishing category. As a journalist, he broke front-page news for Times of India, Outlook and The Week. As a screenwriter, he created and wrote India’s first TV series in English, A Mouthful of Sky. Ashok is of Irish-Portuguese-Sri Lankan-Indian parentage, and lived in India for over fifty-one years before migrating permanently to the United States. Awaken is the first book in the Shakti Trilogy.

About the Book

The Haters are coming to destroy all life on Earth. It is not a question of if, but when.

The Brahmaand has already rung the warning bell and the awakening of the Preservers has begun. Kiara unexpectedly finds her skin covered with golden fur and her sense of smell extraordinarily enhanced; Saumya is suddenly able to go from Ahmedabad to New York in just a step; and Sia’s songs have the power to do things she had never imagined possible.

First in the thrilling Shakti Trilogy set in contemporary India, Ashok Banker’s action-packed and brilliantly imagined Awaken introduces our unlikely heroes who must discover and harness their superpowers before they can protect and preserve the Earth from the wrath of a menacing alien invasion.

Grab your copy from HERE

Movie Review: If by Tathagata Ghosh – A Tender Portrait of Love, Loss, and Possibility

If , a 26-minute short film by acclaimed Bengali filmmaker Tathagata Ghosh, is a sensitive, evocative piece of storytelling that lingers long after the credits roll. Set against the everyday rhythm of life in Kolkata, the film delicately unpacks the story of a lesbian couple torn apart by the weight of societal expectations and dares to imagine a different future, one where a mother's love might just change everything. What struck me first was the film’s raw, grounded realism. The characters feel like people we know, middle-class families navigating a complex world with quiet resilience. The world of If is filled with silences, glances, and stills, rather than heavy dialogue. Ghosh masterfully uses these moments to speak volumes, allowing viewers to sit with discomfort, interpret the unspoken, and feel deeply.

Book Review: The Story of Eve: Selected Poems by Zehra Nigah

Few voices in Urdu poetry have carried the weight of history, resistance, and deep personal introspection quite like Zehra Nigah. One of the first women to break into the traditionally male-dominated world of Urdu poetry, Nigah’s work stands as a testament to the power of words to illuminate, question, and challenge. The Story of Eve: Selected Poems, translated by Rakshanda Jalil, brings together some of her most powerful nazms and ghazals, showcasing both her literary elegance and her unflinching gaze at the human condition, particularly through the lens of gender, social injustice, and political turmoil.

The Urban Gaze : Reimagining the Village in Contemporary Indian Cinema

Indian cinema has long been fascinated with the village. From the earthy, socialist realism of Do Bigha Zamin (1953) to the melodramatic lament of Mother India (1957), the village once stood as both heartland and hinterland — a space of moral clarity, rustic struggle, and often unyielding fate. But as the urban middle class began to dominate cinematic production and consumption, the depiction of the village increasingly came to reflect an urban gaze, that is, a perspective shaped by distance, nostalgia, condescension, or even outright fantasy. In recent years, this urban gaze has taken on new shades, evident in the way mainstream and indie filmmakers alike have re-engaged with rural India. While some have tried to explore the village as a site of resistance, authenticity, or even horror, others continue to reproduce sanitized or exaggerated versions of village life that serve urban sensibilities more than rural realities.

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