Spotlight Review: The Revenge of Kaivalya by Sumana Khan

The Revenge of Kaivalya by Sumana Khan

The Blurb

Deep within the womb-like forests of the Western Ghats, an entity manifests itself at the malevolent moment when the ocean rises to devour hundreds of thousands. Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in Halegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft?

The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend

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Meet the author

The Author's Thoughts

In the early stages of my manuscript, I knew the title of my novel had to be the name of the principal character. And it could not be just any name. It had to fit into the storyline - from a time perspective, as well as setting the atmosphere. It had to sound ancient and also define the character. Tall order!

As I read up on the history of Vijayanagara, I hoped to come across a good, strong name...but history, largely, is about men and their wars and conquests. I hoped to select a name from our puranas. But nothing clicked. What about our stotras? Maybe the lalitha sahasranama? Or ashtalakshmi stotra? One evening I sat mulling on 'Kausalya'...thanks to the most famous line 'Kausalya supraja Rama purva sandhya pravarthathe' from the Suprabhata :) I went to bed with that line in my head.

The next morning, somehow, ‘Kausalya’ had transformed to ‘Kaivalya’. I did not remember coming across the name in any of my previous research. Curious, I looked up what ‘Kaivalya’ stood for. And was fascinated. Read More ........

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Book Review: The Story of Eve: Selected Poems by Zehra Nigah

Few voices in Urdu poetry have carried the weight of history, resistance, and deep personal introspection quite like Zehra Nigah. One of the first women to break into the traditionally male-dominated world of Urdu poetry, Nigah’s work stands as a testament to the power of words to illuminate, question, and challenge. The Story of Eve: Selected Poems, translated by Rakshanda Jalil, brings together some of her most powerful nazms and ghazals, showcasing both her literary elegance and her unflinching gaze at the human condition, particularly through the lens of gender, social injustice, and political turmoil.

The Urban Gaze : Reimagining the Village in Contemporary Indian Cinema

Indian cinema has long been fascinated with the village. From the earthy, socialist realism of Do Bigha Zamin (1953) to the melodramatic lament of Mother India (1957), the village once stood as both heartland and hinterland — a space of moral clarity, rustic struggle, and often unyielding fate. But as the urban middle class began to dominate cinematic production and consumption, the depiction of the village increasingly came to reflect an urban gaze, that is, a perspective shaped by distance, nostalgia, condescension, or even outright fantasy. In recent years, this urban gaze has taken on new shades, evident in the way mainstream and indie filmmakers alike have re-engaged with rural India. While some have tried to explore the village as a site of resistance, authenticity, or even horror, others continue to reproduce sanitized or exaggerated versions of village life that serve urban sensibilities more than rural realities.

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